There’s a lot of striking moments in Andrew S. Allen‘s “The Thomas Beale Cipher“. I love the re-purposed textures (herringbone fabric and washed-out wood), the grainy whisps of wrapping light, and the clever mix of rotoscoped footage with abstract design. For more of his work, check out the 2010 Anchorage International Film Festival Opener. No collage here, but the high contrast, punchy colors a..